Printmaking
All of my woodcuts are printed in small editions, either in my studio in East Vancouver or at Malaspina Print Workshop.
Editions range from 5 to 35. They are either pulled from one block (black and white) or, from multi-blocks or by a process of reduction (one block, with many colours printed in a reductive process.)
Others, such as the tall format of the three crow pieces above, incorporate jig-sawed color sections, resulting in an underlay of abstraction.
Inks are archival etching or woodcut relief inks on acid free paper. They are printed on Mulberry, Kozo or other Asian papers, or on acid free and archival papers such as BFK.